SHASHATOYZ

http://www.timkaiser.org/Sonic.html

在内原恭彦的数字摄影站SON of A BIT里发现了一个玩具!应该相当于Kraftwerk用过的那个发声玩具的日文版,估计还是奥特曼那种豪迈的英雄腔!Xieliiiiia!!!!   其实类似的中国也有的,不过只能发出数字的语音

 

不好意思,刚踩了几脚,有点脏.300购于某琴行.

2年前零卖是1千多,现在全新的只要800多,体积小/也不太重,录音和演出都很方便,徐程有个"百灵达"的小台子,使用下来觉得价钱可能要比这个便宜些,但本身噪音太大,现场用还行,但录音不是很理想,这个相对好些!不过话说回来美国很多单块噪音乐手都非常喜欢用"百灵达",可能本身噪音较大的缘故用它做Aux Send-pedals-Aux Return,回授更好些吧?!!

Xome阐述了一些,可能会有些启发:
Value of experimentation in making noise music 

To quote a well-known and respected noise artist: 
"The best part of doing something this creative or experimental 
or noisy is actually doing it. Part of the process is experimentation."

This cannot be closer to the truth about what the essence of noise music is. 
Noise projects like Hijokaidan were founded on the premise of "anything goes" 
and any musical rules need to go out the window. Noise music is based on freedom of 
musical expression without any formal convention. (Though one may say that the idea of
such liberated music is a defining aspect of what noise music is)

Most artists in the noise music genre can probably say that they 
have never had "noise music lessons" like perhaps some vocalists, 
cellists or drummers may have had. I would like to relate to you how my noise project, 
Xome, got its start making noise music. 

 
A very long time ago, I had a handful of effects, keyboards, 
mixers and other musical goodies. I would often sit around 
in my state of boredom and play around with said equipment until 
the wee hours. With the limited equipment I had in my possession, 
much improvisation was necessary. Things like touching the bare 
end of a cord to get that humming sound was looped and manipulated. 
This sort of thing evolved until anything and everything was looped and
processed. Sounds from TV, radio static, voices, whatever was composed 
into some sort of musical mayhem. From there it evolved and became more 
refined. I discovered through trial and error what combination of effects and 
other devices sounded what I considered good together. Looking back on the whole 
history of Xome, I can hear some sort of sonic evolution. I've played a lot of live 
shows and, believe me, not all of them have been stellar. Some older Xome recordings are 
downright embarrassing. But I have learned from that experience. I would have never discovered 
anything new if it weren't for all the failures I have been through.

So, yes! Experiment! Have fun and try anything that your mind can think of.


Bob Scott Sato 
2004.09.28 
http://noisefx.com/article/value_of_experimentation
 
多录音,多演出，多体验:)

National Panasonic RQ-309DS

AHMA AH-798

ANDO WS-37 中国制

Danelectro French Toast OCTAVE DISTORTION

DJ-13 法国吐丝,丹拉速迷你系列中的怪客.

Ibanez Modulation Delay II

Shure话筒/ahma复读机/单块:Big Muff,Metal Zone,失真,Grunge,Overdrive,Delay,Fuzz,Super Stereo Chorus,有时还会用上电动剃须刀/镲片/玩具/Turntable/contact mic/voice等等

(能发出可变/不可变声音源的东西,直接接在mixer或者音箱，也不需要单块效果器)

录音基本全是R-1录音机接徐程的Sony话筒外收两组硬件直接进吉它音箱的喇叭,或者硬件进mixer line in,line out进r-1
剪辑/修改用Cool Edit
mastering用T-Racks

目的: 实验/噪音音频设备的展示/使用体会之交流场所 建立中文database

参与:中文用户均可申请加入 由我们邀请(需要提供你在blogbus注册的用户名） 或直接使用账号noiser密码noiser匿名发表

内容列:  名称 /  图 /  价格 /  使用方法 /  优缺 /  特性 /  音频文件  /  等

待大家完善!